It cannot be replaced with a house or a car, a husband or wife, but can be ignored, denied, and betrayed, until the last day, when you pass yourself on the street and recognize the agreeable life you were afraid to lead, and turn away.
Click to share on Pocket Opens in new window InPulitzer Prize-winning poet Philip Schultz founded the Writers Studiowhich grew from a casual workshop in a Philip schultz Village living room to an established school with four locations, online programs, a reading series, and a nonprofit branch that gives students free access to writing workshops.
Aim high Article continues after advertisement Tell yourself your life depends on what you might write that day. That a great truth lies beneath the surface, just within reach, waiting for you to find the courage to discover it. The truth, after all, is what readers most want to hear; a truth that only you can tell, that is personal, peculiar to you.
Escape the Shitbird At the Writers Studio, the school I started some thirty years ago, we have a name Philip schultz the negative force that makes writing so hard: Its purpose is to cleanse us of all our desires and dreams, to censure how we really feel.
Surprisingly, more often than not, we know. And knowing will allow us to think about good things like form, structure and music, which will then allow us to move forward and write. The Shitbird works undercover, in a fog; the last thing it wants us to do is see it in a bright conscious light.
Salinger used a seventeen-year-old Holden Caulfield to dig up old buried feelings we all identified with; a fifty-year-old Mark Twain pretended to be young Huck Finn to recreate the lost world of his youth. Men write from the point of view of women, women from the point of view of men, all for the same reason: The poetic persona suits me better than the fictional one.
The right technique gives us permission to be wrong, and bad, and unfair, things we perhaps always longed to be; it allows us to be ourselves, irrevocably. A good way of doing this is to imagine your story being played out on a stage, with your narrator, first person or third, directing all the characters.
I once wrote a poem about fathers standing in the cold waiting to get a popular electronic game for their sons. By pretending to be a ventriloquist, we underscore the difference between ourselves and our characters.
We might even be horrified by what they do and say. As for the dummy: Imagine how he or she might go about describing your most intimate fears and desires.
Find the pleasure in the telling, the imagining. Objectify yourself to the point of casual indifference.
Surprise yourself by what you hear yourself saying. Is this really the story you intended? It seems so strange suddenly, so unfamiliar. Try to amaze yourself with your own imagination.The Wherewithal: A Novel in Verse by Philip Schultz and a great selection of similar Used, New and Collectible Books available now at timberdesignmag.com Schultz, Philip H.
Conesus: June 2, , at age 76 years. Predeceased by his parents Irvin & Marian Schultz, his brother Edward Schultz, his sister Phyllis Schlesing, and his . Philip Schultz > WI; Philip Schultz in Wisconsin. We found 12 results for Philip Schultz. Search public records for emails, phone numbers, addresses and more.
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Genealogy profile for Philip Schultz Philip Schultz ( - ) - Genealogy Genealogy for Philip Schultz ( - ) family tree on Geni, with over million profiles of ancestors and living relatives.
Mar 16, · What’s most improbable about “The Wherewithal,” Philip Schultz’s novel-shaped poem, is that it’s at once a weak instance of each of its genres and a stunning instance of both. Liz Kingsley is the Administrative Director of The Writers Studio where she has taught online classes and studied with Philip Schultz for many timberdesignmag.com: